His parents never have time for him. His former friends make sure that he does not forget them. His new classmates sabotage him. Suddenly, the Other shows up and starts giving him a hard time. Constantly, he comments on what Christopher does and says, he exposes him as a liar and he bets that Christopher ends up in jail again shortly. The two start fighting, it is an exhausting fight pushing the boundaries. When Christopher thinks that he has finally silenced the Other, his life goes to pieces completely.
An explosion happens at school with far-reaching consequences. This performance is part of the 1st International Children's Theatre Festival. Note: While every care has been taken to ensure the information provided is accurate, we advise you to check with the event organisers before travelling to confirm the details are correct. Welcome to the Cyprus events portal where you can find news and info for all cultural, social, musical and all other events in Cyprus.
Cyprus Events. When Saturday, April 17th, Melina Merkouri Hall. Nicosia , Nicosia , Cyprus. He believes in good nutrition, like drinking lots of water 30ml per kilogram of weight per day and eating at least 60 per cent fresh i. In , he was backpacking through Europe; he met a couple of Swiss girls and they travelled together, ending up in Barcelona.
Suddenly a garbage truck drove by, and they decided to ask the garbage-man for directions. It stunned all three of us. It was like … clean. So you mean he was very serene? It was just his essence, his very being. It was just so clear. Has he made it? Will he ever? The drugs squad for arresting two men this week with a large stash of drugs after police gave simultaneous car chases, firing warning shots until the two suspects stopped their cars.
Some demonstrated in Nicosia this week although union representative Giorgos Constantinou said others had not turned up because they could not afford the petrol money. Teasing stab The year-old man who accused his sister-in-law of attempted murder after she allegedly stabbed him for being teased, Paphos police said. They are being asked to teach one extra period a week.
Vermouth placed in the glass and thrown away, Tanqueray gin, a twist of lemon, and then chilled in a freezer so it crackles with frost. Actually, I was supposed to be Margarita - my parents were convinced! In Moscow the service is the worst in the world. Little did they realise I was James Bond. I could have shot the bloody lot of them! There was dancing, and then it was time for din-. The next day I felt great. Start referring to himself in the third person? I never watched my daily rushes.
I only ever listened to them. A very clever old-time Hollywood producer told me that if you watch yourself too much, you develop mannerisms. It is a very beautiful voice, low and sweet like a RADAtrained honey bear.
They were quite heavy gamblers and they were called Cubby Broccoli and Harry Saltzman… Having met them over a gambling table I was obviously going to be a potential for Bond. Moore was a gambler, but never a cheat. A friend of mine, a Swedish gambler, taught me all the things to look out for. They watch you all the time in a casino. My father was in the police, you know.
His father, always a great supporter, once told him off for failing to appear on the Alan Partridge show in He thought his son was being unprofessional; of course, Steve Coogan had invented the whole scenario. Blowing up the liver of a duck or a goose is no way to treat an animal. She asked me to go with her to Amsterdam. What could one say but yes? We end our lunch with macaroons. A Soviet assassin behind the door? Grace Jones with a stiletto? But amid the rather w place pressing cityscape, a new has recently sprouted up that d old on aims to take young and ent day a journey far from present hardships.
So very far away, in ilding is fact, that an entire building ts of weird now dedicated to all sorts s that tell and wonderful exhibits s roamed the tales of when dinosaurs earth. Aiming to attract th a thirst ists and locals alike with ies of days for discovering the glories e pride and gone by, the place is the r. Searching for what exactly? Professionally speaking, Angelos has spent years in charge of his Tsircon Company, engaged in the manufacture and trade of specialised materials used in the construction industry.
But with his passion for natural history standing as more than just a sideline, almost of all his free time has been spent jetting away with his wife to faraway destinations to get hold of treasures. From the depths of China to the heights of South America, the travel bug was coupled with an insatiable desire to get his mitts on the most. Magnetised by the evolution of life on earth, the natural history buff then spent years trotting the globe while purchasing all sorts of fascinating items to add to his collection unusual museum pieces.
In the meantime, a Friends of the Foundation group has been set up, focusing on science, entertainment and knowledge. We really want to pass on and exchange knowledge with everyone. But the people of Amsterdam came in mainly because they wanted to. Cycle of history: bicycles line the canal ring of Amsterdam, a historic network of waterways that give the city its distinctive feel. The Ambassade is a sequence of eight terraced houses on the Herengracht, The Pulitzer is a whole block of old shops and houses facing the Prinsengracht on one side and the Keizersgracht on the other.
All these tall, thin, brick buildings stand on the Grachtengordel or Canal Ring, a semicircle of broad canals built outside the moat of the medieval city of Amsterdam in the 17th century. They enjoy Unesco World Heritage status and in celebrate years since their completion.
The citizens of this rich trading city will be celebrating years of monarchy, years of Heineken and the reopening after 10 years - far too long - of the mighty Rijksmuseum, which showcases the art of Vermeer, Rembrandt, Rubens, Frans Hals and their many contemporaries.
But the greatest celebration by far will be for the quadro centennial of these three broad canals that for many visitors simply are Amsterdam. Not even Venice has such a symmetrical sweep as these three canals that line up in a curved embrace around the west and south of the city. Ironically, they were not built to make transport easier nor for any picturesque reason. The Jordaan, the Bohemian area on the western bank of Prinsengracht, is so named because it remained countryside for more than a century.
Today these broad grachts are also lined by houseboats. Although most boats are comfortable and connected to gas, electricity, water and mains sewage, locals still claim that 90 per cent of the asking price is just for location, the best in Amsterdam. Imagine being able to see into Venetian palazzos as you putter down the Grand Canal.
These glass-topped tourist boats. They have to operate in very shallow waters. Although the canals were eight feet deep when completed in , popular wisdom claims that three feet of that is now mud and the next two feet occupied by bicycles, leaving a bare three feet of clearance for boats. The three canals have different personalities. Herengracht, the innermost, is still considered the most genteel. The Keizersgracht, in the middle, seems to have cornered most of the history.
Tsar Peter the Great got so drunk at number , the home of a friend, that he kept the mayor of Amsterdam waiting to enact the welcome ceremony. The painter Jacob de Wit — lived and worked at , Vivaldi conducted one of his own operas at a theatre which is now the Dylan Hotel at number , and Van Gogh visited his art-dealer uncle at Connecting the three canals are The Nine Streets, short stretches of shops that seem to chop the canals into short sections.
There will be much to celebrate in Amsterdam next year - but nowhere more so than on the Ring. Research from travel comparison site Skyscanner revealed popular destinations for Scottish travellers to be the US, Thailand and Australia. Londoners take the longest holidays, with the average break lasting 12 days, followed by Mancunians with 11 days and Geordies with ten.
People from Liverpool not only stay the closest to home — typically France, Portugal and Spain - but also book the shortest holidays, averaging. The hottest new destination is reported as Burma, which has seen a per cent increase in searches followed by Lithuania per cent and Slovakia per cent.
China has also seen a 64 per cent increase in interest. Skyscanner's Sam Poullain said: "Another wet summer has seen millions of Brits jet off to sunnier climes and it's fascinating to see the regional differences, in the choice of holiday destinations. Skywards members will be able to add on optional extras, such as additional baggage allowance, using either Skywards Miles or cash payment. For more information on the redemption partnership plus the terms and conditions that apply, visit the easyJet page on www.
The World Travel Awards were established in to seek out and reward the very best travel organisations in the world, acknowledging the elite organisations in their re-. In , nearly , votes were cast by travel professionals from countries. Particularly in our region, the competition is strong, so this is a fantastic way to round out what has been an exceptional year for us. Something special, kept for this special day. Any wine on the day should convey a sense of careful selection.
And the classic roast turkey needs the best reds with ripe, rounded, fruity qualities. Try these…. Strong taste, with volume and mouth feel, vibrant nt acidity and an well mastered tannins annins mask masked by the ample fruit, a comp h, concomplex wine. Classic garnet-tinged crimson colour, the nose has fragrance of cedar wood, dried plum and blackcurrant. There were some cedar and coffee characters with smooth, subtle vanilla spice. No way. Restrained on the nose, the nose packed with bright fruit that suggests raspberries and ripe strawberries.
Bright, ht, d son deep blue crimson c d exotic colour, smoky and o ak ageon the nose, the oak ing does wonders to this gesting wine. There is a touch of undergrowth vegetal quality in the ate we background. Pun-sp n gent spice and ripe dark fruit on nos coupled with subtle spice e the nose, comple complementing the blackcur-rant and raspberry aromas.
Me-dium bodied and a good, long,, rich palate bursting with black k frui some mocha and choco-fruit, late and Christmas cake spices,, with easy tannin structure and d len length. M d More prominent roasted oak on tthe palate, mocha, behind d this som some dark fruit, astringent oak tannins, tann fairly creamy and has some substance. A ruby red wine in colour with hints of violet. Yet the tannins feel a little strong and the nose, overall, is a little hot from the relatively high alcohol.
A great wine. The tannins are very robust, a ton of fruit. Nose of blackcurrant, coffee beans. Slight bitterness on the palate. Was optimal on day two. Rich aromas of dark cherry, caramel, toasted marshmallow and white pepper. Dried dark fruit and smoky oak nuances come through on the mid-palate, revealing additional layers of depth. Prices for the First Growth Bordeaux are down almost Hart reported that. Burgundy is up, California is up and now it's gone back to having strong demand from the North American market.
A new study by a Dutch economist that examined auc-. The working paper, Chateau Migraine or Chateau Riche? Add the mackerel, lemon zest and some seasoning. Empty into a bowl. Garnish with freshly cracked pepper and chives and serve.
Mini Jacket Potatoes Makes 20 20 baby new potatoes 1 tbsp olive oil g soured cream Finely grated zest of 1 lemon 1 tbsp chopped fresh dill, plus extra to garnish g smoked salmon strips Lumpish caviar to garnish. Put the potatoes in a roasting tin and toss through the olive oil with plenty of seasoning. Roast for minutes until golden and tender. Set aside to cool to room temperature. Repeat with the remaining potatoes. Top with a dollop of the soured cream mixture and a curl of salmon, garnish with a few caviar eggs and a dill frond and serve.
Slice the pecorino cheese into 16 even-sized pieces. Cut each rasher of bacon in half lengthways. Secure with a cocktail stick. Garnish with extra thyme and serve warm. There are olive trees in back gardens, groves stretching across wide rural expanses, s, and lonesome scatterings along road sides. And when it comes to the delicious oil thatt they produce, locals like to slather it on salads and use it creatively in countless dishes.
The good news is that its benefits are rather exceptional, al, with a great number of studiess pointing towards the wonderss. Great for skin, bone ta and a cell health, olive oil is packed with antioxidants, p anti-infl ammatory and antia cancer benefits. Put the yoghurt, cucumber, remaining lemon zest and juice and sliced basil leaves into a small serving bowl and stir together. Season well. Serve with the raita. Truth is, there are countless ways you can make your diet healthier.
And rather than using salad dressing over your greens, add some drops of oil coupled with a dash of lemon or vinegar to the mix. Be sure to really tighten the cap on the bottle as oxygen can cause rancidity. The fats and healthy phytonutrients in olive oil can slowly degrade over time, so it's probably best to use it within six months once opened.
If it smokes or burns, not only does it give off an unpleasant taste and smell, but toxins are also released which are harmful to human health. So it was with this in mind I entered the Ledra street outpost of the Pagoda group; Chopsticks. It was lunch-time on a dismal Tuesday, the place was empty so I chose a seat by the window, in the hope that my presence would encourage others to join me. Gergama, the charming Bulgarian waitress, approached with the menu and was anxious that I be aware of the very generous lunchtime offer which remains in place.
There are five starters that surprisingly includes a quarter of crispy duck, normally a main course feature; the rest offers chicken satay, sesame prawn toast, spring rolls and prawn crackers; nothing of fire pots, hot sour or even bean curd, no steamers from 12 until 5pm.
However, in the interest of the readership I eschewed the temptation and tackled the full but limited menu. The main menu reveals the acuity of the management: it is directed at the passing coach trade to make the tourists from Swindon, Salford and Stoke-on-Trent feel at home. Their menu can be replicated throughout the minor towns of England where the hoi-poloi is raised on MSG, hence their strange behaviour. I select the fried dumplings, bamboo shoots with Chinese mushrooms and chili chicken, in half portions, with a plate of fried rice.
The dumplings were a good choice, crisp, hot and. There is an unfortunate tendency in most Cypriot versions of oriental food to overload on slices of onion, pepper and carrot; I am happy to report an absence of carrot. I liked the chili. There are no sweets but they do sell Chinese beer which I found very interesting.
Half way through, another customer arrived followed shortly by a couple. Designed by the award winning publisher Industries and Xbox , this bundle ships with an exclusive, customised designed console, two customised Halo 4 controllers, a standard edition copy of the game, a massive GB hard drive and exclusive content. Largest Hard Drive Available: The Limited Edittion o co console comes with a GB hard drive, the largest hard drive available for Xbox , allowing for more game add-ons, more downloads and more space to store all your entertainment.
Xbox Black Headset Chat with. Fortunately, the sound quality on these five discs is superior to that at the gig itself. This time around you can actually hear the band playing Tender, London Loves and Country House - and they sound brilliant. By Rick Pearson.
Bee Gees Mythology The Brothers Gibb have been part of the musical landscape for as long as anyone without an old-age pension can remember. They deserve. Instantly stream movies and TV from Netflix in crystal-clear HD, or download game add-ons like new levels, characters, maps and songs.
Easily jump right into online multiplayer fun and play along with friends around the world. Plus, get your favourite music from Last. Xbox LIVE is your connection to more games, entertainment and fun. Kinect Ready The console features a dedicated, specialised port to connect seamlessly with the Kinect Sensor.
Each brother gets a CD - and that includes ill-fated younger sibling Andy, who was never part of the group. Maurice and Andy pale a little, but only in comparison with their super-talented brothers. By Pete Clark.
Using GPS it can also locate and direct you to over 6, stars,. Rich with brilliant graphics, the game comes via the Modern Toss animated cartoon series. Prizes come in the form of medicine pills that counteract another deadly attack of the sniffles. See how many you can collect! Sneezeman on iTunes. Various artists Acid Jazz: The 25th Anniversary Box Set Founded as a lark in a Rotherhithe flat, the Acid Jazz label spawned Jamiroquai but its true worth was in its catholic taste and its understanding that dance music is the broadest of churches.
Untrammelled joy. By John Aizlewood. Sound system coffin lets audiophiles rock out for eternity It almost looks like an over-the-top prank by the Onion, but this coffin - equipped with speakers and a wireless streaming sound system - is apparently real. Make texting a bit more fun Love texting your friends, but find yourself frustrated by the limited visual style of the average text?
Then look no further because TwistPic is your app! The developers behind it have followed through with this natty little app full of brilliant templates. Not happy with those? Well you can also choose from your own images or images on the web - just watch out for copyright. TwistPics on iTunes. Custom Content Receive a token for downloadable Halo 4 content to enhance your gaming experience. Built-in Wi-Fi The Xbox is the only console with Anyone who mildly enjoyed LOTR but wondered why it had to be so long — remember the endless pile-up of endings in Return of the King?
Second, because — how to put this nicely? Unfortunately, you still have. There are orcs, trolls, stone giants, even a necromancer. Did you know that dwarfs are meat-eaters, whereas elves are veggies? Approached out of the blue by the wizard Gandalf the Grey Ian McKellen , Bilbo finds himself joining a company of thirteen dwarves led by the legendary warrior Thorin Oakenshield.
Their journey will take them into the Wild, through treacherous lands swarming with Goblins and Orcs, deadly Wargs and Giant Spiders, Shapeshifters and Sorcerers. Although their goal lies to the East and the wastelands of the Lonely Mountain first they must escape the goblin tunnels, where Bilbo meets the creature that will change his life forever … Gollum.
Also starring Richard Armitage and Andy Serkis. Directed by Peter Jackson. In English, with occasional dialogue in made-up languages with Greek subtitles. In 3D. Adventure fantasy, mins. Also starring Abbie Cornish and Tom Waits. Directed by Martin McDonagh. Dark comedy, mins. Also starring Gillian Anderson. Directed by James Marsh. Drama, mins. And of course Gollum — tortured, schizophrenic Gollum — is great, but then we already know Gollum is great.
For good old Drac, catering to all of these legendary monsters is no problem; but everything could change for the over-protective dad when one ordinary human guy stumbles on the hotel and takes a shine to Mavis. Directed by Genndy Tartakovsky. Cartoon comedy, 91 mins. McDonagh has a French-movie streak in him.
In Bruges was deceptively complex and elegiac beneath its British-crime-thriller belligerence, moving up a gear in the third act into something surreal and dreamlike. Seven Psychopaths tries to pull the same trick, taking its characters into the desert and bringing out the. Woody ther. Kind of. The Bondurants refuse to give in to Rakes, and their stubbornness instigates a war. Directed by John Hillcoat.
Crime drama, mins. The Boogie Man, who wants to turn dreams into nightmares and banish belief in Santa, Bunny, and Tooth. Jack reluctantly agrees to help and, in the process, discovers the true hero within. Directed by Peter Ramsey. Cartoon adventure, 97 mins. Bella Kristen Stewart is enjoying her new life and new powers after the birth of Renesmee, her daughter with vampire Edward Cullen Robert Pattinson.
Soon, however, their family bliss is threatened again, by a new menace. The vam-. As Irina rallies the Volturi to destroy this potential threat, Bella and the Cullens — together with any allies they can assemble — prepare for a crucial battle to protect their family. Also starring Taylor Lautner and Billy Burke. Directed by Bill Condon. Fantasy drama, mins. Murad Rade Serbedzija , the father of one of the kidnappers killed by Mills in that operation, has sworn revenge, and takes Mills and his wife Lenore Famke Janssen hostage during their family vacation in Istanbul.
Mills enlists his daughter to help them escape. Directed by Olivier Megaton. Action-thriller, 92 mins. Directed by Sam Mendes. Action-drama, mins. Problem is, nobody loves a villain. Ralph somehow needs to transform himself into a hero — so he sneaks into a first-person-shooter war game, planning to win a medal, but soon wrecks everything, accidentally unleashing a deadly enemy that threatens every game in the arcade.
Directed by Rich Moore. On his 60th birthday, New York hedge-fund magnate Robert Miller Richard Gere is the very picture of a successful businessman. Struggling to conceal his duplicity from loyal wife Ellen Susan Sarandon and brilliant daughter and heirapparent Brooke Brit Marlin g , Miller is also hiding an affair with French art-dealer Julie Laetitia Casta. Directed by Nicholas Jarecki. Dramatic thriller, mins. His father owns a zoo, and Pi spends his days among tigers, zebras, hippos, and other creatures.
But after Pi attempts to befriend a Bengal tiger, named Richard Parker, the young boy learns a harsh lesson from his father about the relationship between human and beast. As circumstances worsen for them, the family decides to move to Canada, hitching a ride on a Japanese cargo ship — but Pi soon finds himself in the company of a hyena, a zebra, an orangutan and Richard Parker after a shipwreck sets them adrift in the Pacific Ocean.
Directed by Ang Lee. Zarafa A grandfather tells his grandchildren the story of Maki, a young boy who escapes from slave traders, befriends a giraffe the title character , crosses the desert, meets a pirate, and a few other things on a trip that takes him from Africa to Paris.
Tel: Arbitrage 12 K-Cineplex Screen 3 at 7. Tel: Lawless 15 K-Cineplex Screen 6 at 7. Tel: Tel: ; K-Cineplex Screen 1 at 7 and Tel: Seven Psychopaths 18 Rio 4, weekends at 8. Tel: Shadow Dancer 12 Rio 6 at Tel: ; K-Cineplex 3pm weekends only , 4.
Tel: in Greek, in 3D , weekends at 2. Tel: ; K-Cineplex Screen 3 Rio 1 at 5. Tel: ; K-Cineplex weekends also at 3. Tel: 8pm, Monday at 7. Tel: ; K-Cineplex Part 2 12 Screen 3 at 7. Tel: Rio 5 at 5. Tel: ; K-Cineplex Screen 5 at 7. Tel: Rio 2 at 3pm weekends only , 4. Tel: Rio 6 at 5. Tel: Arbitrage 12 Rio 6 at 8. Tel: ney 12 Rio 1 at 7. Tel: K-Cineplex Screen 1 at 7 and Seven Psychopaths 18 Tel: Rio 4 at 7. Rio 1 in Greek, in 3D , weekdays only at Tel: 5. Tel: Rio 5 at 8 and 10pm.
Rio 4 in English, in 2D at 5. Tel: Screen 5 in English, in 2D at 5. Tel: Rio 3 at 10pm. January 5 and 6. But as the upcoming Christmas holiday week descends upon us, organisers tend to shy away from hosting events as family occasions move to the fore while many take to the road for a welcome escape away from the daily routine. Often deemed one of the most depressing months of the.
Now the second occasion of its kind, the idea is that of promoting a good deal of experimentation. And in this light, Louvana has invited exceptional musicians from Greece, England. With the bands and artists set to perform coming from varying musical backgrounds and each employing a different approach regarding the use of their instruments, it will all add to the diversity and fun of the occasion. This is achieved by creating melodic and rhythmic phrases with natural or electronic instru-.
This year will include the amazing cellist Yiorgos Kaloudis set to present works from his two solo albums as well as tunes by double bassist and composer. Cyprus-Germany: Years of History and Culture An insight in the historical and cultural relations between Cyprus and Germany since the period of the Crusades. The exhibition presents archaeological remains, documents, old printings, paintings, historical items and church treasures. Until December While many will remember the band from their appearance last year, they have previously taken to the stage in countless foreign festivals.
To add to all the fun, crowds can also enjoy Mo Kolours jetting in from London to do their thing. Not wanting to give too much away, organisers have announced that crowds can expect a beautiful mix of English electronica and hiphop, along with African rhythm fused with vocal and orchestral elements. All this will be topped off by the sounds of local talents introducing some new projects including Plain History, Acapella Solo Loop and M.
Edo to be accentuated by the rhythms Giannis Koutis and his standalone project. Looks like it will soon be time to let your hair down and get a little loopy. Group Exhibition Christmas bargains on paintings, sculpture, jewellery and much more. Gallery Technis Dromena, 53 Arch. Open daily: 12pm-8pm. Tel: Doros Heracleous Solo art exhibition. MondayFriday: Saturday: RSVP tel: Tuesday-Saturday: 10am-3pm and 5pmpm. Sunday: 10am-4pm. The project includes a second art exhibition curated by Re Aphrodite team.
The exhibition deals with the unwritten feminine histories of Cyprus and their private and public structure. Tuesday, Thursday, Friday: 8. Wednesday: 8. Saturday: 9. Tel: Cyprus — Germany: Years of History and Culture An insight in the historical and cultural relations between Cyprus and Germany since the period of the Crusades.
Beyond Dress Code A comprehensive documentation of traditional Greek dress. Saturday: 10am-2pm. Group mixed-media art exhibition. Until January 7. Is Not Gallery, 11 Odysseus, Chrysaliniotissa. Monday-Saturday: 10am-1pm and 4pm-8pm. Tel: Pavlos Samios Solo painting exhibition. Until January Apocalypse Gallery, 30 Chytron Street. Monday- Friday: Tel: Group fine art exhibition. Opening hours: 10am-2am. Tel: AnThrOPOS: Faces of Cyprus through the Ages An exhibition that explores the human form as it is represented in the art of Cyprus from the Neolithic period until today, focusing specifically on depictions of the human face.
Monday: 5pm-8pm. Tuesday-Friday: 11am-1pm and 5pm-8pm. Saturday: 11am-1pm. Tel: White Christmas Group exhibition. Until January Argo Gallery, 64E D. Akrita Avenue. Monday-Friday: 10am-1pm and 5pm-8pm. Saturday: 10am-1pm. Opus 39 Gallery, 21 Kimonos Street.
TuesdayFriday: Tel: Loizos M. Loizou Solo painting exhibition. Tuesday-Friday: 10am-1pm and 4pm-7pm. Monday-Friday 9am Viewing by appointment. Gallery Leventi, 6 Polykleitos St. Cyprus Yesterday and Today Permanent exhibition. Diachroniki Gallery Idalion, 32 Makarios Ave.
Open Monday-Saturday 11am-5pm. Larnaca Municipal Gallery. Just off Zenon Kitieos St. Studio also offers mosaic classes in a small friendly environment throughout the year. December Retro Club, 18 Omirou Street. Jingle Ball Revel in the spirit of holiday nightlife with Pink Noisy mixing live the biggest dance floor hits of , alongside Alex Iatrou. Warm Up sets from Jenia and Sneakky mixing the finest yuletide favourites. Club Nuovo, 11 Stasinou Street, Engomi. With music from opera, jazz, musicals, and more December Academy 32, Constantinou Paleologou 32, Old Nicosia.
Zoo Club, 15 Stasinou Avenue. Antonis Remos Popular Greek singer performs live. Blinkers Club, 5 Andrea Avraamidi, Engomi. Brew Lounge and tea bar. Brew, 30b Hippocrates St, Nicosia. Mystiagogia Relaxed bar playing both Greek and English rock, and a selection of chill out music. Mystiagogia, 42 Areos St, Old Nicosia. Open daily 8pm2am. Baroque Live music every Thursday night from the 70s, 80s and 90s, 9. Open on a daily basis as regular bar from 10am-2am. Baroque Lounge Bar, Cleopatra Hotel.
The Petsteppers Trio playing live every Monday. Domus lounge bar, 5 Korai St, Old Nicosia. Arabesque Sundays With belly dancers and ethnic music. Club Red Live Greek music and various events. Thursdays-Sundays, 10pm onwards. Every Friday night. Club Deep, Finikoudes Promenade.
Dress code: Style and sophistication. DMC An uplifting atmosphere with a range of stimulating weekly events. Laiki Gitonia, 1 Watkins St, Finikoudes. Open daily from 9. Horseshoe Pub 60s, 70s and 80s music from Monday-Sunday. Sesto Senso, 45 Promachon Eleftherias. Pentaras Hall, Coral Bay Road. Reservations essential - Tel: Tickets must be purchased in advance at Pentaras or by phone. Paliomonastiro Peyia. Come and enjoy a glass of wine, your favourite cocktail or dinner while you listen to violin pedagogue Professor Robert Hovanesyan and member of the Cyprus Symphony Orchestra.
Marlenka Cafe, Phaneromenis Street, old Nicosia. Every Saturday and Sunday evening from 8. For reservations contact Blue Wine and Lounge Bar Serving over selected wines from across the world. Open daily except Sunday. Marco Polo Playing live Latin music. With various theme nights from WednesdaySunday.
Stasinou 3, Engomi. Wednesday and Thursday 11pm- 3am, and Friday and Saturday 11pm-4am. Wednesdays: electronic music, Thursdays: reggae and Fridays: progressive psychedelic and Saturdays: rock and funk. Charismatic bar with outdoor summer area.
Old Nicosia. Enjoy exotic cocktails, finger food and Cuban cigars daily from 5pm-2am. Hilton Park Hotel. Hosting live bands on weekdays and regular Greek music weekends with George Arestis and Dimitris Makris. Tel: 22 Ledra Palace Road. Monday-Sunday 10am-2am. A Christmas show with famous music from opera and musicals topped off by some jazz rhythms. On Mondays rediscover your romantic side with Violin Duo playing classical music and popular melodies on the violin.
Every Wednesday, local guitarist - Byron Athinodorou will be playing a mix of Spanish melodies, pop-rock hits and Greek classics on the guitar, alongside his own compositions. Every Friday Jazz — Blues night with a mix of upbeat and smooth jazz classics. Crowne Plaza. Friday and Saturday, Local band playing live Cuban-Latin sounds every Sunday. Wet Beach Bar, Amathountos Avenue. Every Saturday. Red, Dionysus 15, old town hall square. As for Yiannis, he is well known both as a pianist and composer, while also standing as the proud conductor of the Cyprus Symphony Orchestra.
With various live music shows each week, with a focus on English and Greek rock. Athinas St. Orpheas Piano Bar With live jazz and piano on various nights. Free entrance. Free entry. Free entry Live acoustic blues and country music every Friday from 10pm. Happy hour 10am-6pm. Every Tuesday, pub games night.
Every Thursday, quiz night. Special theme nights once a fortnight. Near Esso station, Amathus Area. Quality house, techno and minimal beats with guest DJ. Every other Friday. Barfly, 1 Elenis Paleologinas St. Mandaloun With Lebanese food and DJs every Friday and Saturday night playing a variety of ethnic, world and chill out music.
Mandaloun, opposite Le Meridien Hotel. Latin music in a rooftop bar. Notos, Harbour area. Every Thursday and Saturday. Live music takes ante up a notch Piaf Lounge Bar, Larnaca As the winter season well and truly kicks in, the options for a good night out become restricted. With the roofs having slid across the open air clubs and the tourist bars of Ayia Napa in hibernation, many prefer to stay wrapped up at home on a weekend night rather than endure smoke-filled hours of tediousness in a loud, crowded club.
However, there is another alternative from the common winter night out in Larnaca. Piaf Lounge Bar opened exactly two years ago and did not exactly light up the Larnaca scene in the beginning, yet this small establishment has upped the ante in recent months, with a new approach that is becoming a very popular choice among outgoers of all ages.
Situated opposite Costa Coffee, adjacent to Sky Bar, Piaf is a vibrant little bar which is proving to be a good option for an enjoyable night out. The inside is lavished with dramatic furniture, old style couches, large mirrors and even a few pillars for good measure. The service is impressive with an attendant at your service on entry to take your jacket to the cloakroom if you wish. And an additional benefit of such a small place is that it never takes longer than a minute to refill your glass with a bar situated right in the middle.
Piaf is attracting a large gathering of late, thanks in large part to its hosting of live performers. Local acts usually perform each Thursday and Friday night starting at 9. It must be noted that, due to the limited space of the bar, in order to find a decent spot on Fridays and Saturdays, it is strongly advised that you arrive fairly early.
Square Bistro Saturdays: David East entertains on the guitar. Square Bistro, Tala Square. House, tribal house, oriental and mainstream hits. Enjoy your drink with finger food and nargile. Wednesdays- Saturdays, 9pm-2am. Graffiti bar, Ayios Andreas St.
Playing a diverse range of music, from chill out to upbeat electronic tunes. With live jazz music on various nights each week. Live music with DJ Dimi, bongos and dancers. Every Thursday, 10pm. Blue velvet play classic soul, funk and RnB every Saturday night. Half note Music Bar, cnr Saripolis and Socratous st. Playing funky house tunes. Monday-Sunday 9am-2am.
Irish pub playing live jazz, Latin and blues music on Thursday and Sunday nights. Wine, music and song Tis officially the season to be jolly and it looks as though Academy 32 in Nicosia is going all out this Christmas with a full on show to get you singing along to all your classic favourites. Intent on getting crowds off the couch on the night of the 25th, an evening is being planned characterised by famous music from operas and musicals, punctuated by some infectious jazz rhythms.
Katerina should delight the audience, touted as one of the finest sopranos of her generation. Originally a pianist and music. Monday-Friday: 9am-4pm, Saturday: 10am-1pm. Limassol district Constantinos Stefanou Solo painting exhibition. Until January 5. Morfi Gallery, 84 Agkyras Street. Monday-Saturday: 10am-1pm.
Tuesday-Friday: 5pm-8pm. Opens January 3, until February Tel: Blackdove Art Studio Permanent exhibition of artwork in oils, acrylic, print and mixed media, including painted driftwood, by Mary-Lynne Stadler. Anoyira Mosaic Artwork Discover the magic of mosaics and Anoyira. Friday-Sunday 10am-4pm, other times by appointment. Tel: Katie Sabry Studio Permanent exhibition of paintings in oils, watercolours and pastels. Tel: Art by Susanne Gallery with contemporary artwork.
Shop 2, Marina Beach, Amathus Avenue. Daily 10am-4pm. Percentage of profits go to children with Cystic Fibrosis. Monday-Friday 8am-1pm. Tel: Michael Owen Galleries Permanent exhibition of oil and watercolour paintings. Monday-Friday 9am-1pm, 4pm7pm. Sea King restaurant, near Akrotiri base.
Paphos district Judith Constantinou Permanent exhibition of watercolours. The Studio, Stephanie Village, Tala. Xenopoulou st. Polis Chrysochous, near central square. Call artist for viewing. Open daily. Ayias Zonis St. Medicinal herbal teas and oils available. Permanent photographic exhibition. Closed Sundays. Monday-Friday 7. Enallax, Athinas Avenue. Tel: Nicosia Loop Festival Music festival with local and foreign bands and artists with live looping and similar techniques to create music in a live context.
Nightstalker Legendary Greek, heavy rockers perform live. January 3. Savino Live, 1 Watkins Street. Rialto Theatre. Tel: Fusion Music Classical and operatic songs and tunes from musical shows and even pop anthems, starring pianist Andrew Oliver and British soprano Tina Chester. January 4: Vouni Takis Family Tavern.
Concert 7pm, dinner 9pm. Concert 12 noon, lunch 2pm. January 5. With Greek and English Subtitles Tel: Online ticket: www. December at 11am. In Greek. Every Sunday at Tel: Shakespeare in an Hour Pirasmos Productions presents the theatrical comedy. Pantheon Art Cinema, 29 Diagorou Street. Thursday through Sunday at 8. Anemona Theatre, 7 Archagelou Street, Latsia. Every Friday and Saturday at 8.
Antoniadis, Vaggelis S. Konstantinos I. Evangelos Papoulias, Theoklis-Petros Zounis. Vassiliadis, Yannis Vassiliadis. Or Not! Dorin C. Coita, Adela L. Popa, Teodora M. Tarcza, Naiana N. About these proceedings Introduction This book covers a very broad range of topics in marketing, communication, and tourism, focusing especially on new perspectives and technologies that promise to influence the future direction of marketing research and practice in a digital and innovational era.
Among the areas covered are product and brand management, strategic marketing, B2B marketing and sales management, international marketing, business communication and advertising, digital and social marketing, tourism and hospitality marketing and management, destination branding and cultural management, and event marketing.
The book comprises the proceedings of the International Conference on Strategic Innovative Marketing and Tourism ICSIMAT , where researchers, academics, and government and industry practitioners from around the world came together to discuss best practices, the latest research, new paradigms, and advances in theory.
It will be of interest to a wide audience, including members of the academic community, MSc and PhD students, and marketing and tourism professionals. ICSIMAT strategic innovative marketing business communication and advertising international marketing digital and social marketing product and brand management B2B marketing tourism and hospitality marketing destination branding cultural management alternative forms of tourism alternative forms of marketing.
Several names stick out as being sorely disrespected in the list of 10 above, but none more so than that of Patrick Leigh Fermor, whose Roumeli: Travels in Northern Greece and, most famously, Mani: Travels in the Southern Peloponnese have, of course, become classics of a certain kind of literature that is unfortunately called travel writing but is actually a sublime form of intercultural exchange and civilizational discourse.
Indeed, the Briton singlehandedly put a tiny Peloponnesian village by the name of Kardamyli on the international literary map. To even put the two of them on the same plane of acknowledgment requires a particularly gross insensitivity that should immediately disqualify the person s responsible for it from any kind of public position. It is, unfortunately, impossible to phrase this in any other way: The GNTO has deeply embarrassed Greece with its transparently ridiculous awards.
From the ministry of culture to the tourist organization, it appears that national embarrassment has become their specific institutional mandate. To be fair to Ms. From Mina Papatheodorou-Valyraki to Vicky Leandros, what is, in fact, most peculiar about the list of GNTO honorees is how it combines literary translators with pop singers, classical pianists with sports painters, and, of course, Mr.
Fermor with Ms. What is most offensive about this entire affair, however, is that in honoring Ms. Vardalos, the GNTO is actually honoring someone who has profited obscenely from publicly and continually ridiculing Greece and Greeks. In the end, it all comes down to a paradoxical syndrome of which we Greeks are all aware and from which we suffer incessantly. It combines profound, and culturally rooted, hospitality philoxenia with a deep suspicion of the Other xenophobia.
For a main characteristic of the Olympics is its [sic] cultural dimension. Greece does not consider the Olympics just to be the foremost athletic event that lasts for a few days every four years. Because Greece wishes to revive the idea of the Olympiad. Therefore, it is desirable to organize not just one cultural event but a cultural program of global scope which will develop and culminate during the four years period [sic] between two successive Olympic Games.
Our country undertakes the responsibility to organize the Olympic Games in a manner that will incorporate this new cultural dimension and feels committed to set a new vision of the Olympic idea which will have a permanent effect. The problematic nature, lack of focus, and utter non-existence of any strategic vision that characterize the conception and organization of the Cultural Olympiad is now manifest even to the most credulous partisans of the ministry of culture.
What is important here is not so much the actual performance see All Around Is Nostalgia by Anastasia Tsioulcas in this issue but rather the rationale and, even more to the point, the politics of culture that motivated this particular production. Nevertheless, the Cultural Olympiad sees itself as an international institution with a civilizing?
If that were genuinely the case, however, it would have sought to organize even this pathetic production within the context of an established festival or as part of the programming of an established cultural institution, an approach that would have obviously attracted a much broader audience.
As it was, All Around Is Light was presented as an isolated event; as a result, it was bound to be ignored and get lost in the cultural landscape of a city such as New York. In other words, an event such as the one held on May 20 should possess an innate rationale as a vehicle communicating the fact of the Athens games. At a time when the conspicuous lack of promotion has made those games a non-event in the American media and public, All Around Is Light should have been used to focus attention on them.
The serious absence of a coherent and well-planned publicity campaign about the Athens games in the United States and, apparently, throughout the world is now common knowledge. With only one year left, when advertising should be in high gear, the silence is deafening.
The lack of funds for the Greek National Tourist Organization is an open secret. In an article in greekworks. Reflecting on Edinburgh, it is evident that the Cultural Olympiad could have developed into a singular concentration of cultural events with significance far beyond the Olympic Games in , if anybody had actually given the concept any serious thought. The Edinburgh paradigm would have helped significantly in shaping such a vision.
This is not something seen very frequently in Greece. Teams from Thessaloniki seem always to be playing the role of permanent runner-up to the Athens and Piraeus powerhouses. Thessaloniki teams occasionally finish high enough in the basketball and soccer leagues to qualify for the European tournaments that are the equivalent of American playoffs, but they are never expected to go very far, let alone win.
Prokom had gone two points ahead just before the final buzzer. The Thessaloniki team made one last desperate attack, but its guard Willie Solomon was fouled. At mid-season, things suddenly got bad for Solomon when he tested positive for marijuana, but, after a four-week suspension, he regained his stride. Solomon scored on his first free throw and the crowd of 6,, mostly Aris fans, were on their feet, willing him to make the second shot and send the game into overtime.
But the second free throw clanged off the rim, quieting the crowd in the Alexandrion Melathron arena the old Palais des Sports, which had acquired a new name in the recent era of nationalist sentiments in a ridiculous association of basketball with Alexander the Great. Happily for Aris, the rebound was snatched by its center, Yugoslav-born Miroslav Rajcevic, who scored off the backboard, giving Aris the lead, which was the final tally.
Celebrations followed, as did the postgame interviews in which team captain Gangaloudis hailed the Greek victory and announced the imminent razing of the White Tower en route to the bouzoukia. Ottoman landmarks have not fared very well in modern Greece, and you have to look hard for the magnificent mosques, public baths, and fountains the Turks built in what is today mainland Greece. It helps that it looks like a generic medieval fortification rather than anything explicitly Ottoman or Islamic.
Indeed, most local tourist guides provide scant information about its origins but make the point, nonetheless, that it was built on the site of an old Byzantine church. Aris had monopolized the public eye in the s when the team was to Greek basketball what the Chicago Bulls were to the NBA during the Michael Jordan era.
Galis led Aris to eight championships between and The Greek American player also led the Greek national team to its greatest achievement, the victory over the Soviet Union in the European final in Six years later, Aris won a major European club tournament. Galis, along with his former Aris and Greek national teammate, Panayotis Yannakis, and former team coach Yiannis Ioannides, were on hand to congratulate the younger generation, whose triumph heralded the return of better days for the Thessaloniki club.
Until the Eighties, Aris had struggled from the time it had been founded, originally as a soccer club in According to Athens-based historian Vassias Tsokopoulos, Aris was the team that represented Venizelist Thessaloniki, a town in which the pro-royalist Iraklis Club dominated sports. When the refugees from the Asia Minor Disaster streaming into Thessaloniki established their own sports club, PAOK, it meant that Aris acquired an even more pronounced middle-class, white-collar orientation.
The years in which Aris or PAOK have walked away with any major domestic basketball or soccer championships since the s can be counted on very few fingers. Their problem is that they are in Thessaloniki, and the economic clout needed to build strong teams, along with the political influence to take care of whatever else is needed to win a domestic sports tournament in Greece, is found in Attica. That loftier status is reserved for the cup awarded to the winner of the Euroleague, which attracts the stronger clubs.
Can Aris restore the relative purity of the Galis era? The thousands celebrating around the White Tower after the victory certainly seemed to think that the glory days are back. Nevertheless, even if we are entering a period in which a feisty underdog fights its way to the top of Greek basketball, we should not get carried away. It may be good that Barcelona can challenge Madrid, Manchester overshadow London, or Milan and Turin prevail over Rome, but sharing the sports silverware is a European practice not quite yet welcome in Greece.
Talk about the good old days. It hurts just to think about it. Credentials-wise, this was a bit rich even for Times columnists. It was in fact a coup for the paper, and one about which it rightly preened. Here are some arbitrarily chosen excerpts from his columns of the last couple of months. So now the administration knows that it can make unsubstantiated claims, without paying a price when those claims prove false, and that saber rattling gains it votes and silences opposition.
For the overwhelming political lesson of the last year is that war works. Someday the public will figure all this out. But it may be a very long wait. Right now the answer is simply to deny the existence of these problems. Oh, and did I mention that the plan will create 1. Republican politicians are obviously under instructions to push that job number. Basically, the job-creation estimate came from the same place where Joseph McCarthy learned that there were 57 card-carrying Communists in the State Department.
Does it matter that we were misled into war? Some background: the Constitution declares the president commander in chief of the armed forces to make it clear that civilians, not the military, hold ultimate authority. If Tony Blair had tried such a stunt, he said, the press would have demanded to know how many hospital beds could have been provided for the cost of the jet fuel.
There was a time when patriotic Americans from both parties would have denounced any president who tried to take political advantage of his role as commander in chief. But that, it seems, was another country. But what do we call it if after you are placed with foster parents, you try the same thing all over again? The new tax cut plan echoes the scam in other ways.
In a tax cut that delivered about 40 percent of its benefits to the richest 1 percent of families was marketed as a tax break for ordinary folks. The same is true this time. And bear in mind that Bush-style tax cuts now have a track record. Of the 2. Nonetheless, the odds are that this scam, like the scam of , will succeed. The tax cut will be passed, and the budget will plunge even deeper into the red. More to the point, as one of the most important American economists of his generation, Krugman has recovered the concept of political economy as a popular intellectual and social tool of the left.
As it is, Krugman warned, the 13, richest families in America had about as much income as the 20 million families at the bottom of the scale. Even the Gray Lady can burn red with rage In this politically stifling time, it is vaguely encouraging if nothing else to know that there are a few powerful voices out there against the social deceit that is the new constitutional order. Quite the opposite, I think it has, more often than not, abdicated its journalistic and civic responsibilities and Jayson Blair is the least of its problems.
The only thing that any conscientious journalist should and can strive for is scrupulous fairness and, oh yes, professional probity. Friedman glories in his pathetically inept propaganda whereas Krugman just wants to give you the facts. Finally, one other reason for this article, specific to greekworks. That said, if Paul Krugman stops writing for the Times, all bets are off. Last month, I got a personal whiff of the new world order after an old friend called about another old friend.
Anyway, my friend called to tell me that our mutual friend, who is a journalist, had been fired from his job on a well-known Athens radio station. The reason? None of this made any sense. Furthermore, my friend not only lived in the United States for many years I first met him almost three decades ago in New York , but two of his children live here now.
Anybody who knows Greek journalism knows that my friend stands out from the crowd. So what happened? What exactly did he do or say that led to his dismissal? I should say here that after I found out about what had happened, I called my friend in Athens, to get the story straight from the source. Why are Canadians so terrified to contradict or even interpret the Pentagon publicity machine?
Are we afraid of bullies like the US ambassador to Canada? Who are we afraid of? Who indeed? From Canada to Greece and all over the globe, the US is trying to shut everybody up. It is right that the Greeks should rule barbarians, mother, and not barbarians Greeks. For they are slaves and we are free. Who could take a man like that seriously? Troy meant one thing only to the men gathered here, as it did to their commanders. Conditions in the Greek camp are quite chaotic. Agamemnon, the leader of the Greek army, appears weak, and his leadership has been challenged.
Thus, for many warlords, conquering Troy appears a distant objective, as do the possibilities and opportunities offered by war. Specific action needs to be taken before everything collapses. The description of the heroes in the story is colorful and vivid, if not extreme; in some cases they become caricatures of themselves. The representation of the characters is straightforward; they are incapable of any moral reflection or ambiguity.
There is nothing dramatic or emotional in their condition, which is to say that there is no dramatic irony in the description of them or their motives. There is no questioning of their integrity and certainly not any moral conflict concerning their function. This is a wild bunch. I think I may have been too hard on the Trojans because of Paris carrying off my Helen.
Most of them have never had a chance to be anything else. I mean, there they are, they are stuck with it. They are kept in ignorance and superstition, they live in the midst of squalor and bad smells, they are unhygienic, they have the wrong gods. Now we could save them from that, we could bring light into their darkness.
I mean, we are streets ahead of them, especially in metalwork and catapults. We have a duty towards these people. Achilles, the prototypical Greek hero, is presented as a narcissistic brute, a natural-born killer. It is no surprise, then, that he is the chief villain, who manipulates everything behind the scenes and orchestrates the sacrifice of Iphigeneia. They are the only ones not devoid of moral integrity and psychological depth, and they are also quite aware of their position and function within their respective context despite the obstacles that surround them.
They are also by far the most complex characters in the book. On one hand, as the religious and intellectual figure in the story, Calchas provides the reader with the only counterpoint to the militaristic ideology of the Greek warlords. On the other hand, he is too weak and trapped in his own name and identity as a diviner to realize the absence of the gods. He is witness to an endless manipulation of the gods by the warlords, but lacks the courage to speak out until the very end, when it is too late to change the course of history.
He ends up as a discredited religious and intellectual figure that has been abandoned by his gods and even by his faithful acolyte, Poimenos. As for the Singer of the songs of the kings, he is probably the most powerful figure in the story. He is the blind poet reflection of Homer and unofficial historian whose job it is to publicize and memorialize the deeds of the Greek warlords.
He represents memory, and his presence in the story raises the question of the relationship between politics and memory, ideology and art. He was an entertainer, he had power. The audience had been gripped by the Song, spellbound, for a while they had forgotten the wind.
One who could distract the people in this way, turn them from discontent and the breeding of revolt, was a very valuable instrument, especially at a time like this. But instruments had to be controlled. You know, the god [Zeus] takes his pleasure in a shower of gold, shows his displeasure in this wind that is so bitter to us, sent to punish our offense, an offense, you might have hinted, that involves someone high up in the chain of command.
Everybody in the camp seems to understand the power of the Singer. We see, for example, Calchas trying to demythologize the power of the songs to Poimenos:. They have interests to serve, their voice is a collective voice. Do you understand what I mean? Here at Aulis we have an army that must be kept together or the expedition will fail. Odysseus the versatile, the resourceful.
Yes, these words describe him. Loyal Odysseus, faithful Odysseus, Odysseus who is using his great talents in the service of Greece. People intent on war always need a story and the singers always provide one. What it is really about is gold and copper and cinnabar and jade and slaves and timber. In other words, how does the culture represent itself to itself through the songs of the Singer?
What does the novel say about the power and political implications of representation? As Calchas reminds us, facts and events do not present or speak for themselves. The Singer speaks for them, just as he, Calchas, claims to do for the gods, since the gods are absent or, at least, not immediately present to mortals. Calchas speaks for them and claims to be their interpreter, as does Croton, that other, native diviner who has sided with Odysseus and supports the sacrifice of Iphigeneia.
Both the Singer and the diviner construct the narrative, and choose and manipulate facts, in order to give a particular meaning to events and legitimize particular actions. And that is where I think the novel succeeds. If there is a connection between past and present, it is not in the particular and universal themes, but rather in the idea of representation and communication. But what is the role that the Singer any singer has played in constructing these characters? It is quite clear that for the writer, history enters the story as ideology.
There is a conflict between life and its representation. As the narrator comments at the end of the novel about the possibility of Iphigeneia being saved by Artemis at the last moment:. Soundscapes CD by Steven Feld. The zurna is related to the Indian shehnai and to the Chinese sona as well as to the medieval European shawm and the Persian sorna ; similarly, the dauli davul or tavil in its Indian precedent or a similar drum is also known widely.
The combination of the two instruments for ritual use has a long and esteemed history across many religious traditions as well; after all, what better way to usher in festivals and celebrations than to blast away on the loudest possible instruments? That is, the loudest possible until the introduction of amplifiers and electric instruments, at which point the earth-shakers of centuries past can seem rather feeble and old-fashioned in comparison, as we hear on the disc that accompanies Bright Balkan Morning.
And with that moment in when Keil first heard this music, the sound of the wild zurna and the booming dauli become the object of a magnificent year obsession that culminates in Bright Balkan Morning. Joined by his wife and fellow ethnomusicologist, Thessaloniki-born Angeliki Vellou Keil, photographer Dick Blau, and record producer Steven Feld, Keil enters the world of the Roma to meet the men who make this kind of music in the town of Jumaya now called Iraklia in the district of Serres in Greek Macedonia.
For Greek Macedonian Roma, this response to their multiethnic surroundings is different from those followed by musicians in neighboring nations: in post-war Serbia and Kosovo, audiences now only want to hear music of their own ethnic traditions; in Bulgaria, a single style mixes music from across the region, in addition to the pervasive Bollywood filmi hits. In the same way that this book delves into multiple cultures, the authors and contributors layer several disciplines, approaches, and genres into this volume.
Most important, perhaps, the authors allow the Roma to speak for themselves, and to present their own stories. An entire chapter is given over to Mitsos Hindzos, an elderly zurna master who died in , three years after his last interview with Keil and Vellou Keil. Rather, as he indicates, the warriors who had assembled from various ethnic groups to defend the Hindu kingdoms of northern India against Muslim invaders in the eleventh century created a lingua franca in their military camps; that tongue, patched together from several languages, eventually evolved into Romani.
Interspersed with the new photographs are gems culled from Rom family albums and scrapbooks. That can mean recording the chatter of the crowd at a taverna party featuring a zurna -and- dauli trio; it can also mean keeping the tape rolling after vocalist Magdalini Mandarli finishes singing and shuffles off to answer a pinging telephone in the distance.
The only other drawback here if it is one is that the book itself is rather unwieldy. We are invited to stop and explore an overlooked music, played by people with a tragic history and an uncertain future. Bright Balkan Morning invites us to that party. I HATE world music. The term is a catchall that commonly refers to non-Western music of any and all sorts, popular music and even classical music. Having marked its fourth anniversary, I believe that the festival has now reached a point, and assumed an identity, that requires a reevaluation of its purposes and direction.
My aim here is not to review the performances per se. With very few exceptions, the artistic quality of both individual performers and various ensembles remains consistently high. The manner, however, in which the artists have been packaged in the last couple of years and offered to the public as Greek traditional music has become increasingly problematic.
For a long time, Greek traditional music was a slowly dying musical idiom. Lacking official recognition and support, it had become an overly regional phenomenon that exerted no influence on younger people since the transmission from one generation to another, which is so essential to the survival and continuation of traditional art forms and expression, had weakened considerably.
Nevertheless, the Eighties and the Nineties witnessed strong revivalist tendencies in traditional music. A younger generation suddenly began to emerge that was eager to receive the knowledge of and continue traditional musical idioms.
A serious effort began to record traditional singers and musicians throughout the country, and traditional instruments started to exert an unusual allure. Furthermore, the Greek government began an extensive program of sponsoring traditional music through its cultural and educational institutions. As a result, a remarkably talented group of young musicians has emerged during the last couple of decades.
In a cultural environment that strongly supports local traditions, traditional Greek music has, to a certain extent, become dynamic once again. This revival and emergence of a new generation of musicians made the creation of a festival of Greek traditional music in the United States very timely: This was the right time to generate interest in Greek music that transcended national boundaries.
Things took a wrong turn, however. It was obvious from the very beginning that it would take time to establish, and maintain the interest of, an American audience. People do not become fans of traditional and unfamiliar sounds overnight. It requires education and continuous involvement, and Greek traditional music has never had a systematic presence in the United States. There is, of course, a Greek audience eager to attend these events but one of the basic points to creating such a festival is to move beyond preaching to the converted.
I was involved in the efforts to create this festival, and to organize the first one in What we all had in mind then was not just to bring a group of musicians to New York every year, but to institutionalize such performances in the US, to educate and familiarize the American audience with Greek traditional music, and to create a small but serious demand for it, which moved beyond attending an annual festival to actively buying the music and being genuinely interested in it.
The three-day festival took place in large spaces, which required large audiences, so the organizers would not lose money. Regional attachments are stronger than national ones in many cases. It is therefore difficult to promote Thracian music to a Cretan audience, for example. Consequently, it seems to me, the nature of the event changed to guarantee financial success.
The concept became that of a much more generic package aimed at a mixed audience. The concept of adding folk groups to dance traditional dances onstage in front of the musicians, for example, which began with the first festival, and was always problematic, continued to a larger degree in the following years. The issue here, of course, is not folk dancing, but rather the way the organizers have presented it. If the purpose of the festival is to familiarize an American audience with a musical idiom, minute dance segments are not the best way to do it.
It also devalues the dancing, and makes it into a spectacle that leaves no impression and which no one has a desire to see again. The space was totally inappropriate; the stage was too large and too deep for Karagiozis, which demands intimacy. Furthermore, the presence of a large band in the front of the stage forced the canvas screen to be raised too high, so that it could be seen from every seat in the theater. By choosing The Wedding of Karagiozis , a play that required a large band onstage and an extensive repertory of songs from different regions, the emphasis fell on the music.
It was very difficult for those not familiar with the genre to develop any sense of it or of the ways it works, since the music overwhelmed the play. The play became too long and fragmented. As I watched the performance, it occurred to me that the point was not to promote Karagiozis, but to satisfy certain logistical needs, since the musicians were also part of the performances of the next two days. It would have been much more effective, and would have made much more sense, to promote the beautiful art of shadow theater within the context of the distinguished international puppet festival that takes place annually in New York.
Rebetika , laika , urban songs, and amanedhes are much more marketable to an American audience, as well as to Greek Americans. And although the musicians were clearly talented, I began to sense that the festival had become antiseptic and gentrified. Greek regional folk music is idiosyncratic, difficult, and demanding, but it is also the heart and essence of Greek traditional music. What had originally inspired the festival was the idea of promoting this music.
It is difficult to think of where the festival can go from here, as it is already becoming repetitive and has failed to develop an American audience. The lack of press coverage this year might be the result of the fact that the novelty has worn off but has not been replaced with a sense of vision. The festival needs to go from a three-day event in a large space in New York to a much more grassroots type of experience. Inviting a group of musicians at a time for a more extended stay, and having them play at much smaller venues in different communities, has proven to be much more effective in disseminating and promoting folk music.
It is much easier to develop an audience when you aim at smaller local communities. Furthermore, an effort needs to be made to have these artists work with other musicians, and not simply function within the isolated framework of one-day concerts. The people who are actively involved with studying and recording Greek traditional music today seem to have nothing to do with this festival. They are the ones who keep certain genres and instruments alive, and some of them happen to be brilliant musicians.
The international gathering celebrated the opening of the Etruscan gallery, which at present is the only extensive exhibition of its kind in the United States. Local teachers, from elementary to high school, were consulted to ascertain the primary interests of their pupils, as well as to address the questions most frequently asked by the many thousands of schoolchildren that visit the UPM every year. The UPM was founded in , and its earliest classical galleries opened in They immediately attracted a great deal of attention, primarily for their outstanding Greek vases.
Criteria for display have varied considerably since those days, and a permanent layout for the Greek material was only decided upon in Now the Greek gallery, in conjunction with the newly opened sections, has been renovated, with the necessary funds raised through the amazingly prompt response and generosity of the Greek American community of the Delaware Valley, including the Hellenic University Clubs of Philadelphia and Wilmington and the Karabots Foundation, as well as the contribution of the Stavros S.
Niarchos Foundation. The Greek gallery is dedicated to Rodney S. Less well-known, but equally important in a Greek context, is the fact that, in , he was instrumental in providing a fully equipped ambulance for the Greek Red Cross, which he drove on the Albanian front during the Second World War until seriously wounded.
It was carved during the Roman imperial period, but in a style imitative of classical Greece, as appropriate to a divinity sacred to both cultures. A wall case to the right of the sculpture contains samples of Aegean artifacts from prehistoric times Minoan, Mycenaean, Cypriot , in tantalizing preview of what eventually will be a full display of the considerable UPM holdings.
In this introductory section, cases explain how knowledge of the classical past is gained. A second one suggests clues for identifying Heracles and Dionysus on sherds, entire vases, and in figurines. The most spectacular item in this section, however, is a huge map of the ancient world providing a timeline ca.
Phillips, Jr. A major contribution of the museum is the fact that, from the very beginning, it acquired the entire contents of Italic tombs, not simply the most spectacular finds; thus, context can be emphasized over the exceptional. The exhibits are thematically organized: warriors and weavers; pottery; stonework; technology and commerce; metalwork; daily life and other subjects.
Popular notions about the Etruscans hold that they were a mysterious people of unknown origin who used an undeciphered script and language; this exhibition tries to demythologize them and show them as the original inhabitants of a specific territory who, under various influences, evolved to reach a peak of prosperity in the late eighth through fifth centuries BCE.
Relatively few written texts have survived, but the UPM exhibits six Etruscan inscriptions, whose characters resemble those of the Greek alphabet; they were transmitted to the Romans, who used them in slightly modified form to write Latin.
In addition, a list of Etruscan words and their meaning is supplemented by another giving the 10 most common Etruscan names for boys and girls.
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